Abstract

La tête en arrière (P.O.L. 2010), the first novel by Violaine Schwartz begins with a false note. While the main character - a young singer - loses her voice after a memory hole in the middle of the concert - the writer finds his own, exchanging one song to another, more unique. This hole is a hole in the text - there are many blank spaces on the page - that cause to the narrator a situation of loss, isolation, loneliness, as well as its word that fading through a syntax decomposed, but that at the time overflows on the same page through the multiplication of segments of writing, always shorter, essential, that emphasize the benefits of being alone. Closed in herself, a prisoner of her inner voice that does not stop, the woman begins a monologue in his own way (in which the '"I" self-sufficient is replaced by a fragmented soliloquy in the second person) comic and disturbing, that, however, bring back her on the trail herself. In this "loneliness of the word", is to study how the "word prevented" allows, if not to regain the lost self, at least not to lose the fragments of an I exploded. The absence of word generates a proliferation of thought speech and a narrative in form of echoes, through the increase of the images and the particular use of the word. This loneliness is new because it is in its normal, away from abandonment or any form of unhappiness close to death, it calls anyway to stay in the breach.

Autore Pugliese

• Gramigna Valeria

Tutti gli autori

• GRAMIGNA V.

Titolo volume/Rivista

Non Disponibile

Anno di pubblicazione

2012

ISSN

Non Disponibile

ISBN

978-88-7462-483-6

Numero di citazioni Wos

Nessuna citazione

Ultimo Aggiornamento Citazioni

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Numero di citazioni Scopus

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Ultimo Aggiornamento Citazioni

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Settori ERC

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Codici ASJC

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